The Real Artists’ Lofts
Yesterday was dark, moody, with occasional downpours, a perfect backdrop for a trip to check out one of the strangest buildings I’ve ever stumbled upon in Boston. Squeezed between the Fenway and the turnpike is a creaky, century-old edifice built specifically for artists during the gilded age, called Fenway Studios.
Stepping in from the rain, I was greeted by a terra cotta tile floor, a wrought iron pendant lamp, and deep wood paneling. As my eyes adjusted to the dim light, I could see the elevator ahead—one of those expanding metal grate kinds that you can lose a finger in. All of which felt vaguely foreboding.
Once on a floor (there are four), the long hallway hosts an endless number of wooden doors, each with a unique knocker, some brass, so wood, which give a glimpse at the artist working within. Every unit has 14-foot high ceilings, a loft for sleeping, and boatloads of windows, all facing north for that perfect indirect light that artists adore. And each artist, some of whom have lived here for more than four decades, presents his or her own interpretation of what it means to be an esthete. (more…)
Yesterday was dark, moody, with occasional downpours, a perfect backdrop for a trip to check out one of the strangest buildings I’ve ever stumbled upon in Boston. Squeezed between the Fenway and the turnpike is a creaky, century-old edifice built specifically for artists during the gilded age, called Fenway Studios.
Stepping in from the rain, I was greeted by a terra cotta tile floor, a wrought iron pendant lamp, and deep wood paneling. As my eyes adjusted to the dim light, I could see the elevator ahead—one of those expanding metal grate kinds that you can lose a finger in. All of which felt vaguely foreboding.
Once on a floor (there are four), the long hallway hosts an endless number of wooden doors, each with a unique knocker, some brass, so wood, which give a glimpse at the artist working within. Every unit has 14-foot high ceilings, a loft for sleeping, and boatloads of windows, all facing north for that perfect indirect light that artists adore. And each artist, some of whom have lived here for more than four decades, presents his or her own interpretation of what it means to be an esthete. (more…)

Every so often Bostonista has a hankering for a road trip. Last week’s tropical weather—sunshine one minute, thunder and lightening the next—put us in the mood to skip town for a night,
Like many apartment-dwellers, we’re oh-so-nostalgic for the fireplaces and campfires of our youth. But we’re also the owners of a mild fire phobia—not a three-chimney Wellesley Colonial.
Bear with us as we sneak in one last SATC post. Today we’re analyzing the wardrobe of a minor player:
Finding parking on what used to be the fringes of the South End is getting harder. Last night, I had to squeeze my tiny hatchback into a dubious spot on Shawmut just before Washington. The block had multiple, vaguely conflicting parking signs, requiring a degree in logic to solve. Well, at least the Boston Traffic Authority and I interpreted them the same way, this time.




